Lepidoptera
The butterfly enclosure is not
quite as I remember it: I’m surprised to find it where it is, immediately next
to an imitation Thai village in the middle of the Asian Elephant (Elephas
maximus) enclosure; I do not recall at all having to enter the butterfly
enclosure through heavy black plastic curtains, as if entering an abattoir or a
butcher’s fridge.
I am at the Melbourne Zoo. I’ve been here only once before, nearly two
years ago, in summer when the city was hot and humid. I had a beard then and at the sight of me one
of the male Gibbons (Hylobatidae) in the zoo’s
carefully constructed Gibbon enclosure became hysterical, gaping and screaming
at me, passing me again and again to bare its teeth. My friend and I laughed, and joked about the
Gibbon’s anger; we were on the right side of the glass, and laughter came
easily. We spent the afternoon at the
zoo. It was a weekday, and not too
busy. I had never been to the zoo
before; my friend, a Melbournian by birth and upbringing, had not been for a
long time.
Now I’m back, and I’m
reacquainting myself with favourite animals, and rediscovering animals that I’d
forgotten about or that had not been on display the last time I was here. On my previous visit the seal pool had been
under construction; now it is built, and I and the friends who are with me now
step into the dark enclosed space and gasp in astonishment at the grace and
effortless movement of the Australian Fur-seals (Arctocephalus pusillus)
as they swim beneath the artificial waves.
I’ve only ever seen them on land before, where they are slow and
ungainly; beneath the water they are a different animal entirely, and I can
barely tear my eyes away from them. I
wonder if there can be a more beautiful sight than a seal or a sea-lion at
swim.
Elsewhere we wonder why the
Bongos (Tragelaphus eurycerus), antelopes described on the plaque by
their enclosure as living in the dense undergrowth of African rainforest, have
been housed in an environment that looks more like the savannah. We linger by the Small-clawed Otters (Aonyx
cinerea), watching them play and swim and tumble over one-another; after my
friends move on I stay a little longer, and notice that one of the Otters, the
one on the bottom of each fight, has a tail that is raw with cuts and bites and
scars. Suddenly it seems doubly
imprisoned: caged, and persecuted by its fellows.
Before entering the Elephant
enclosure, which is surrounded by dense bamboo, we pass by an historical
monument: a recreation of the zoo’s original Tiger (Panthera tigris)
cage. Enchanted by the animals, aware
that with afternoon commitments my time at the zoo is rapidly running out, I
try not to think of the generations of animals that lived and died pacing back
and forth in bare concrete cells, with nothing to hide behind but bars. Earlier we had seen the zoo’s current Tigers,
surrounded by a replica forest, and for a moment I had been unable to tell if
they were in the cage we were peering into, or in the next cage along: the
lines of the bars dissolved into the foliage.
Only the Tigers know.
As we pass the Snow Leopards (Panthera uncia) my friends’ young son
says “cat”. It is his third word. Later, holding him while my friends eat lunch,
I try to impress upon him other words: “Bird”; “Seagull”; but it is
half-hearted, and I disguise my efforts as an attempt to amuse my friends. Earlier my friends and I had watched a baby
elephant tease a family of Wood Ducks (Chenonetta jubata), the two
parent birds herding their dozen or so ducklings from side to side of the small
pond in the elephant’s enclosure, the ducklings paddling desperately to keep
between their parents. The elephant grew
bored of the ducks and instead began exploring its environment, the environment
given to it: it clambered up onto some low rocks, and when it bent its leg
awkwardly and raised itself on its knees onto the rocks I was reminded of my
own efforts to clamber up onto raised surfaces.
I have just turned thirty-three; though I am still young my body has
already peaked and begun to deteriorate.
Time is running out. It is twelve-thirty already. I insist that we go to the Butterfly
enclosure. It is not as I remember it:
the warmth inside is heavier, denser, more oppressive, and though I’m compelled
to linger amid the Butterflies I’m not unhappy when we emerge again into the
cool early-spring air. It’s a Sunday,
and the zoo is crowded: on buying my ticket I’d asked the woman at the ticket
booth if it had been a busy day. “Not so
far” she’d said; but when I’d bought my ticket it had only been ten-thirty, and
there was still plenty of time for crowds to arrive. Walking through the zoo just after entering,
waiting for my friends to join me, had almost been like walking through a park
or garden; but then as I passed a cage three African Hunting Dogs (Lycaon pictus) trotted past
briskly, on the other side of the bars, and I felt an extraordinary excitement,
some ancestral thrill of danger tempered by the realisation of my complete
safety.
The feeling inside the Butterfly
enclosure is something entirely different: joy, wonder, astonishment. These are not primal instincts; or if they
are, they are instincts that perhaps date back to the moment when humanity
first began to create culture; they are almost indecipherable instincts towards
the recognition of beauty. Stepping into
the Butterfly enclosure is stepping into a world that humans have built and
designed almost to exclude themselves: it is a world built and designed to make
ourselves feel secondary. The heat and
stillness of the enclosure suits the butterflies in their brief lives, and
there are so many in such a small space that my friends and I joke that the
exit should have a mirror, so that visitors can check themselves for
Butterflies before leaving. No
butterflies land on us, to our regret, but they land on seemingly everything
else: on leaves, on rails, on the many colourful hexagonal feeders placed
throughout the enclosure. A young
intellectually disabled woman shows off the prim brown Butterfly that has
landed on her hat: she is carrying the hat in her hand, not daring to put it
back on her head; she walks through the enclosure and shows everybody she
meets. Her hat has a brown foam
elephant’s trunk protruding from the cap.
The Butterfly enclosure is full
of people, it is the most popular exhibit at the zoo. They talk and laugh and gasp and the more
time they spend in the enclosure the more Butterflies they see. I am the same, and though I try to hold a
conversation with my friends it is constantly interrupted by my own excited
pointing and exulting as I see another extraordinary insect: this one green;
this one blue; this one yellow. When I
was a child there were only two or three Butterflies that visited my parents’
garden, and thus entered my life; one was the Cabbage White Butterfly (Pieris
rapae) and it was the first animal I ever learned to revile, though I never
knew why. Some gardener’s lore had been
passed down in feeling from generation to generation, but the information had
gaps: I hated the Cabbage White, but only because everybody I knew who could
identify it and name it hated it too.
Image sourced from http://en.wikipedia.org
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