Plodia interpunctella
Almost exactly two years ago I
was forced to move house. It was
daunting, dispiriting – but also exciting, in a way that only moving house can
be: the promise of a new start, the purging of old habits; however illusory
these expectations, they have a powerful grip, and after six years of living in
one place, of growing through my mid-twenties into my early thirties in a house
that remained stubbornly the same, I was ready for a change. I was beyond ready. I could no longer recognise the house that
had given me so much peace of mind when I’d moved in. Instead the house felt oppressive, and I
found myself becoming angry at it as if it was an entity rather than a thing,
and after initially trying to find a new house in the same neighbourhood the
realisation that I couldn’t possibly afford to stay where I was was liberating
rather than upsetting.
As I packed my belongings to move
I quickly became aware of just how many possessions I had: an embarrassing
number, for somebody who at the time was only thirty years old, though most of
them were books and CDs. I purged what I
could, which was mostly food: a fridge full, a pantry full of inexpensive
things which did not need to take up room in my new house. Twin jars of mustard, each opened and
forgotten about and each still perfectly good; neither necessary. Old tubs of ice-cream. Open bags of flour, bags of rice, bags of
pasta.
These last three in particular I
was eager to eliminate. For several
years before I moved my old house had been host to a fluctuating population of
Indianmeal Moths, also known as Pantry Moths.
At their peak they covered the ceiling of the kitchen all summer long;
even at their lowest numbers they managed to pollute and spoil sundry bags and
containers of food. Their capacity to
infiltrate even the most tightly sealed containers was astonishing, and I
quickly learned to recognise amidst opened bags and boxes of food the tiny
black dots that were the moths’ eggs. I
learned to recognise the pilling of infested flour, the sticky strands of white
silk that lined the rims of jars and boxes in ever-thicker beds. Jars of food became like terrariums as
generations of moths played out their lives within them: from eggs to larvae to
cocoons to adults. In jars of flour the
larvae burrowed through the loose grains creating tunnels which occasionally
touched the inside edge of the glass and so revealed, as in a worm-farm, the hidden
lives of the tiny inhabitants within.
For an animal which thrived so easily
within the dark of the kitchen cupboards, the adult moths seemed startlingly
incompetent at the simple business of being alive: if there was a heat source
they flew to it, and so died in their scores in pots of boiling water, in pools
of hot oil in the bottom of woks, beneath the flames of the gas cooktop. If startled to flight they took to the air
clumsily and with what seemed like great effort, and once aloft their flight
was cumbersome and slow.
Yet they thrived, and
contaminated everything they touched, and so when it came time to move house I
threw away nearly everything that had been in the pantry, whether it showed
signs of infestation or not.
I was successful, my efforts were
worthwhile, and since I moved house the Indianmeal Moths I’ve seen have been
few, and isolated. Only twice in my new
house have I opened a container to find it infested, and after several years of
keeping opened bags of flour or rice or pasta in the fridge to keep them safe
from the moths I now house them in the pantry, comfortable – as comfortable as
I can be – in the thought that they will remain untouched. On those rare occasions when I’ve found an
Indianmeal Moth in my house – before I moved I found them nesting, also, in my bookshelves,
under flyleaves and in the spaces beneath hard-cover books – I’ve used their
slowness and their lack of agility against them, trapping them in jars and
releasing them outside where they fly, startled, into the open air, before invariably
crashing to the ground or into a bush.
I’ve kept in mind always Uncle Toby’s dictum, upon catching and
releasing a bothersome fly in Laurence Sterne’s great novel Tristram Shandy: “This world surely is
wide enough to hold both thee and me.”
Yet the struggle is ongoing and
requires constant vigilance. Such is the
nature of human habitation: our houses are forever being assailed by unwanted
visitors; and of course we’re not alone in this, as each animal on earth must
live in intimate company with other species whether it wants to or not. It’s easy to think of each of our irritations
as a new discovery, our own unique trial; misery loves not company but
isolation, and the delusion that each ordeal, however large or small, is an
ordeal apart from all others. But the
people who lived in my house before me undoubtedly discovered moths in their
muesli; and likewise the people before them; and the people before them.
Who those people were, I don’t
know: a collection of recent names on errant mail that still turns up in my
letterbox from time to time; owners of a Dog (Canis lupus familiaris), most recently; owners of the
house, going back some time further.
Before that, who knows – generations of ghosts and memories scattered to
distant houses and distant lives.
It can seem as though we know
more about our houses themselves than their past inhabitants: if the people are
largely anonymous, the houses boast easily remembered and casually ascribed
nomenclature: Victorian terrace; Edwardian cottage; California bungalow. There’s an impersonal note to this, as if the
permanence of the houses casts the contrasting transience of the human lives
within them into such insignificance that those people, generations of
city-dwellers, remain unnamed and unremarked upon. With the memory of them goes the memory of
the city itself, until facts of history are nearly obliterated, to be shaken
back into our consciousness at unexpected moments; when looking for houses in
North Carlton, near my old house, I noticed a real estate agent’s description
of one rental property as a “miner’s cottage”.
Miners? In North
Carlton? Ah, but wait, I
see now: there’s the Quarry Hotel on Lygon Street; there’s the old quarry
itself, now a playground in a pit at a local primary school on Nicholson
Street.
Such realisations are a
jolt. There’s no sensation that I can
think of that is quite as strange as the sensation of being in a familiar place
and suddenly noticing something that had until then completely escaped your
attention. A shop previously
unacknowledged on a frequently visited block; a view of a distant hill from a
road traversed daily. Not long ago I was
entering my bedroom – I say “my” bedroom though I’m only renting it and only a
couple of years ago it housed somebody else altogether – and I saw on the
doorframe faint marks, scrawled in pencil on the painted wood. The lower of the two markings reads “Alana
170cm”; above it is “Mark, 180cm”. I
know neither Alana nor Mark; I’ve never heard the names before in connection to
this house. Living by myself as I do I
struggle to imagine the house – a rental property for many years according to
my neighbours – as a place in which children were raised, in which parents
marked out the height of those children as they grew. Having seen the markings now, though, having
imagined in my mind Mark and Alana standing stiff and proud against the doorframe
while their mother or their father held a ruler or a book flat on their head
and pencilled their height onto the wood, I find scores of children coming to
my mind: flitting delicately into the light, as if hatched in the dark
cupboards and crevices of this old house.
So attached do we become to our
houses that it can be discomfiting to imagine other people inhabiting them
before us, loving them with an equal fervour, or perhaps hating them and
wishing themselves far away. It’s an
irrational feeling, it’s the fear of ghosts; yet if I confront it in myself I
find that it disappears completely, replaced by the very opposite feeling: a comfort in knowing that many other eyes
have gazed at the walls that now shelter me, that countless people before me
have huddled before the heater in the sitting-room on the longest night of the
year and dreaded the moment when they have to open the door and let the cold air
rush in from the rest of the house. I
can imagine the pride of the house’s very first residents, how excited they
must have felt when they turned the corner of this small street and saw the new
building shining in the southern Australian sun. They couldn’t have known how long they would
live in the house, and perhaps their children remained after them, and their
grandchildren. They would have worried
about having enough food; they would have worried about keeping what food they
had from spoiling. They would have
admired the singing of the birds in the trees outside as much as they reviled
the pests that invaded their kitchen.
Eventually they would have vacated the house, one way or another, and
the next generation would have moved in, grateful for the sturdy walls and
eager for the discovery of their own lives.
And so on, and so on, in every house and on every street, until
gradually by an accumulation of lives this city gained an invisible but
indelible history.
Image sourced from http://en.wikipedia.org